2026-04-25T03:11:46Z https://www.pub.unibl.org/oai

oai:pub.unibl.org:51471 2023-09-06T19:53:19Z

text Features of cognitive linguistics and conceptualization of reality in science fiction feature films Arrival and Inception Мартина Плеше Бестић Мартина Плеше Бестић Unknown not applicable 2020-08-25T09:38:16.805Z 2020-08-25T09:38:16.805Z 2020-08-25T09:38:16.805Z location unknown cognitive-linguistic, the conceptualization of reality, conceptual metaphor, the concept of time, language, communication, construction of meaning, Arrival, Inception This paper analyses two films - Arrival and Inception - which represent the link between theoretical and analytical research. In this research, elements of cognitive linguistics and its interpretation through the sphere of the film industry will be presented. In the science-fiction film Arrival, directed by Denis Villeneuve, there are numerous elements of cognitive linguistics and conceptualization of reality. The plot of this film is based on the communication between the human and an alien race. Its main emphasis is the language that forms the basis of communication. In this case, the human language and the heptapod alien langauage are being analyzed. http://creativecommons.org/licenses/by-nc-sa/2.0/at/legalcode 51471 item oai:pub.unibl.org:51471